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He spoke about how Cooper would go for long walks at night after dinner with his sawn-off shotgun; the weapon he used to murder brother and sister Richard and Helen Thomas in 1984, and Peter and Gwenda in 1989. In the final episode, Andrew says Cooper chose the name because he liked the Johnny Cash song, 'A Boy Named Sue', and wanted Andrew to have to "fight" because he had a girl's name.
In the royal palace at Forres, Banquo paces and thinks about the coronation of Macbeth and the prophecies of the weird sisters. The witches foretold that Macbeth would be king and that Banquo’s line would eventually sit on the throne. If the first prophecy came true, Banquo thinks, feeling the stirring of ambition, why not the second? Macbeth enters, attired as king. He is followed by Lady Macbeth, now his queen, and the court. Macbeth and Lady Macbeth ask Banquo to attend the feast they will host that night. Banquo accepts their invitation and says that he plans to go for a ride on his horse for the afternoon. Macbeth mentions that they should discuss the problem of Malcolm and Donalbain. The brothers have fled from Scotland and may be plotting against his crown. As a result I believe that Andrew can quite legitimately be considered as one of John Cooper's victims.You have to remember that such crimes have immediate victims but also there are many other victims, family members and friends, sometimes police officers and others like lawyers who are working on the case. Appearing via a video link, he said his father was "very strong", "very fit" and "loud and aggressive". This is a very clean read. Yes, there are people who suffer violent death but it’s never gory or gratuitous. No explicit content or swearing (except for once when the female cop Marie says “hell”….such a potty mouth ; ) . He also told of how Cooper had a secret room in the house where he kept what "looked like other peoples’ possessions" including photographs of people he'd never seen.
Film students paid tribute to Babak Khorramdin, with one message reading: “Goodbye, the world’s kindest teacher … from cinema students.” The parents claimed they killed the son-in-law because he was abusive, murdered their daughter because she became addicted to drugs, and targeted their son because he was single and having relationships with students, according to Hussein Rahimi, a Tehran police chief, quoted in newspapers. The series is narrated by Richard Armitage, which made listening a pleasure. From his tone to the unique voices he provided, he enhanced the overall tale.
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Andrew has clearly been affected by the relationship he has had with his father, the attitude that his father had towards him, even blaming him for the murders. Perfect for fans of Rachel Abbott, Robert Bryndza, Mel Sherratt, Angela Marsons, Colin Dexter, or Ruth Rendell. As a murder mystery thriller crime novel, The Murderer’s Son, presents multiple suspects, and you may or may not guess who the killer(s) is before the end of the book. Joy Ellis expertly provides plenty of twists and turns to keep you guessing and second-guessing yourself. Either way, you won’t be completely sure until Ellis reveals all near the end of the story.
A white (blond, in fact) male journalist is described as a 'new up-and-coming voice' or something like that and the police record a suspect's interrogation on a literal tape (surely they don't still use those). Secondly, when the the two characters are supposed to be having a "sentimental chat" about the character Kevin being silly for not having coming out already. His boss tells him his evangelical dad probably won't react badly and will accept him. Then, Kevin was emotionally touched to tears by that? This writer clearly hasn't had the experience of coming out to their extremely pious parents or is blissfully unaware of how many people STILL are doing that with a very negative result. The novel is well paced, it doesn't get dull, and even if you find out the who done it, you keep reading until the end. Major props to Joy Ellis, because I enjoyed The Murderers’ Son all the way to its satisfying end. I’m so glad I ventured out of my comfort zone. Had I not, I would have missed this awesome book. And, if you are partial to audiobooks, Richard Armitage did a really nice job on his narration of the audiobook version of the Murderer’s Son.
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The servant reenters with Macbeth’s two visitors. Macbeth reminds the two men, who are murderers he has hired, of a conversation he had with them the day before, in which he chronicled the wrongs Banquo had done them in the past. He asks if they are angry and manly enough to take revenge on Banquo. They reply that they are, and Macbeth accepts their promise that they will murder his former friend. Macbeth reminds the murderers that Fleance must be killed along with his father and tells them to wait within the castle for his command. Poor Daniel Kinder has turned himself into the police confessing to a brutal murder. The only problem is, the police don't think he did it. Daniel is convinced he is the son of vicious murderess, Francis Thayer, and as her tainted blood runs through his veins, he has inherited a propensity to kill. Unfortunately he also suffers fugue states and has no idea what he does during these episodes so he thinks, obviously, he murders women. The story itself is immediately engaging and twists and turns leaving me guessing without groaning in exasperation at the ridiculousness of it all which has happened a few times recently. Ellis has a bright approach to her writing which moves the story on at a very enjoyable pace while allowing her characters to grow depth and colour. Whilst we have the duo on the hunt for the “real” murderer we have a subplot which I really enjoyed and wanted more exposure involved Zane Pruitt and Kevin Stoner. I have to say Stoner was my favourite character (ok Orac is a very close second) in the book and what he endured at the hands of Pruitt made me so angry! I hope he gets more book time; you see Stoner goes from hiding who is, to accepting who he is, I do love me a bit of character growth like that!
Let me preface my review with the fact that this is my first ever reading of a police procedural crime story, which is not my particular cup of tea. But, the psychological thriller storyline is intriguing, so I decided to “cowgirl up” and read it.The Murderer’s Son is a police procedural, murder mystery thriller crime novel. A brutal serial killer is on a killing spree in a Fensland town of England. It also prompted intense discussion on social media about a legal system that offers relative leniency to parents who kill their offspring. Murder is usually a capital offence in Iran but people who kill their children face a maximum of 10 years in jail. Joy Ellis's debut novel is an entertaining British police procedural despite one or two obvious plot twists. The mystery is gritty and gripping without any unnecessarily gruesome descriptions and the pacing is excellent. There are several red herrings to keep the reader guessing up to a certain point at which the identity of the villain becomes glaringly obvious. The repetition of the same phrases was hard to listen to, the characters are poorly described and obvious tropes, and the writers seems pretty out of touch with what it is like to be queer. I almost stopped listening to it several times. First, when the characters were first described; the female police officer was immediately objectified, "more attractive than any 45~ old should have the right to be" while the male character's admirable extreme loyalty and other positive personality traits were described.
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