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The Outsider

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Bersani, Leo (Spring 1970). "The Stranger's Secrets". Novel: A Forum on Fiction. 3 (3): 212–224. doi: 10.2307/1344914. JSTOR 1344914. Ponyboy and his two brothers — Darrel (Darry), who is 20, and Sodapop, who is 16 — have recently lost their parents in an automobile accident. Pony and Soda are allowed to stay under Darry's guardianship as long as they all behave themselves. The boys are greasers, a class term that refers to the young men on the East Side, the poor side of town. The greasers' rivals are the Socs, short for Socials, who are the "West-side rich kids." The Outsiders is a coming-of-age novel by S.E. Hinton published in 1967 by Viking Press. Hinton started writing the novel when she was 15 and wrote the bulk of it when she was 16 and a junior in high school. [1] Hinton was 18 when the book was published. [2] The book details the conflict between two rival gangs of White Americans divided by their socioeconomic status: the working-class " Greasers" and the upper-middle-class "Socs" (pronounced / ˈ s oʊ ʃ ɪ z/—short for Socials). The story is told in first-person perspective by teenage protagonist Ponyboy Curtis. The story in the book takes place in Tulsa, Oklahoma, in 1965, [2] but this is never explicitly stated in the book.

On the surface, L'Étranger gives the appearance of being an extremely simple though carefully planned and written book. In reality, it is a dense and rich creation, full of undiscovered meanings and formal qualities. It would take a book at least the length of the novel to make a complete analysis of meaning and form and the correspondences of meaning and form, in L'Étranger. [5] Tramel, Jimmie (March 25, 2022). " 'The Outsiders' actor Matt Dillon tours Outsiders House Museum". Tulsa World . Retrieved April 10, 2022. Messud, Claire (2014). "A New 'L'Étranger' ". The New York Review of Books. 61 (10) . Retrieved 1 June 2014. The Outsider': Cynthia Erivo, Bill Camp, Mare Winningham, Paddy Considine, Julianne Nicholson, Denise Petski, Deadline.com, January 25, 2019 Ponyboy Curtis, a fourteen-year-old boy who is a member of a "gang of greasers", is leaving a movie theater when he is jumped by "Socs", the greasers' rival gang. Several greasers, including Ponyboy's two older brothers—the paternal Darry and the popular Sodapop—come to his rescue. The next night, Ponyboy and two greaser friends, the hardened Dally and the quiet Johnny, meet Cherry and Marcia, a pair of Soc girls, at a drive-in movie theater. Cherry scorns Dally's rude advances, but Ponyboy speaks civilly with Cherry, emotionally connecting with a Soc for the first time in his life.

Discussion

In Camus’ " The Plague", published in 1948, Camus mentions a woman who "started airing her views about a murder case that had created some stir in Algiers. A young commercial employee had killed an Algerian on a beach". Meursault is incarcerated. His general detachment and ability to adapt to any external circumstance seem to make living in prison tolerable, especially after he gets used to the idea of being restricted and unable to have sex with Marie, though he does realize at one point that he has been unknowingly talking to himself for a number of days. For almost a year, he sleeps, looks out the small window of his cell, and mentally lists the objects in his old apartment while waiting for his day in court. Salamano is an old man who routinely walks his dog. He abuses it but is still attached to it. When he loses his dog, he is distressed and asks Meursault for advice. He testifies at Meursault's trial. Na obra ele traz categorias bastante sofisticadas, propondo um modelo sequencial de entendimento da gênese dos delitos, em detrimento de um simultâneo, conjugando a ele a ideia de carreira que é muito bem exemplificada com os usuários de maconha. I can't even begin to say what it was about this book that caught my interest and imagination so completely. I liked the otherness of it - I had never experienced anything like these boys dealt with. Not the pervasive fear and violence, not the absentee, non-existent, or abusive parents, and definitely not the fascinating siege-mentality camaraderie that existed in their group.

I think the point is, though, that I just don't care. In fact, I adore the writing even though it is obvious. Maybe because I first read it when I was eleven and that sort of writing just seemed clear and to-the-point. At any rate, I don't think it suffers too badly from the style, and if anything it benefits from the authenticity of a teenage author. My heart broke for the Curtis brothers, and especially for Darrie, who had to give up his college scholarship so he could keep his brothers together. What a tragic but equally uplifting story.The story switches from King’s graceful head-hopping third-person narrative to a transcript of official statements from key personnel in the prosecution’s case, a formal change that nods to the statements and newspaper extracts King used throughout his debut, Carrie. Several greasers, including Ponyboy's two older brothers—the paternal Darry and the popular Sodapop—come to his rescue.

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